Images, Thoughts on Travel, Equipment and Techniques that somehow relate to Nature & Wildlife Photography.

Posts tagged “techniques

Black and White

Yellowstone Church, IR Filter, B&W

Old Yellowstone Church, Colorado,  color converted to B & W  with addition of IR preset in Lightroom

Black and white photography allows us to catch a glimpse of something different, colors are replaced by shades and gradations, a million grays, pure whites, blacks and shadows so deep you can get lost in them.

Ranch windmill and clouds

Gray Skies, Wet Mountain Valley, Colorado, B & W conversion from color in Lightroom. It was already a pretty monochromatic scene, B & W brought out the detail in the sky

Film was the medium when I first began to play with black and white images. Anybody remember Durst enlargers? Well, I had an el cheapo Durst but using it was as close to becoming the sorcerer’s apprentice I have ever come. Watching an 8×10 piece of  white paper become a “picture” was pure magic. Still is, but the tech has changed.

Lone tree

Lone Tree, B & W conversion from color in Lightroom

Making images with a digital camera is more magic at our fingertips. Take an image and give your imagination free rein. Color becomes something totally different, using Lightroom, the conversion to black and white requires a click. Well maybe a little more is needed for a finished image.  Leaving the image in color and making whatever adjustments are needed to bring more life to it and then converting it in Lightroom using Adobe presets or creating your own will make you feel a little like a wizard. Contrast will make or break a lot of b & w images. Just make sure you are shooting in RAW. Light is still the deciding factor in making a great image, the cool thing is mid day harsh light can work in your favor, contrast is good.

Raven graffiti

Raven Graffiti,  another B &W from Lightroom

There is another way to get there, if there is a place you’ve never been. Infrared or IR turns our visual expectation on its head.  It can still be b & w but maybe from another universe. IR isn’t the end point, it is the starting line for inspired vision or just a place to play.

High Park Road

IR capture, converted Nikon D2X camera….Barb did all IR images

Foxtail Barley Grass

Foxtail seed heads, IR capture

Old school IR photography required IR film and an IR filter that, when mounted on a lens, couldn’t be seen through, doable but a huge hassle.  Digital cameras have an internal filter to block IR so they need a little work.  We have two digital cameras that have been converted to IR, two different internal filters.  We used LifePixel for the conversions and can recommend them, have no experience with others but there are several companies that do conversions, just make sure they know what they are doing. Why convert a camera? You would have a dedicated tool with no lens mounted filters to mess with and all functions work. What can take all of this way out of the ordinary is that there are a number of IR filters to choose from. Deep BW IR gives darkest skies and whitest whites. Standard IR is a very good all-around, there is Color Enhanced IR that brings color into the equation. And there are others. Color Enhanced IR requires a little more creativity, channel mixing, and Adobe Photoshop to get some of the results seen here.

White Canyon

White Canyon, Utah, IR with a twist…IR filter allows some color

Colorado National Monument

Coke Ovens, Colorado National Monument, color enhanced IR

abandoned adobe house

Abandoned homestead, IR with another planet’s sky

Give black and white photography a shot to see the world in a new light, or go all in and convert a camera and remake the world.

Goemmer Butte landscape

Panorama of Goemmer Butte and the Spanish Peaks, Colorado. IR black and white

Abandoned farmhouse

Abandoned farm, straight IR from converted Nikon D2X camera

Bosque del Apache landscape

New Mexico landscape, IR with Clarity Slider (Lightroom) used to soften image and make a more painterly image.

Wetland

New Mexico  landscape, IR with Lightroom and 3rd party presets used to soften image and make a more painterly image.

Wetland

Bosque del Apache wetland and sky, IR capture


When Bad Weather Isn’t

Evening light fades with a few clouds, doesn’t seem too threatening so off to bed.  Sometime in the night it starts with the wind rustling and sighing through the trees.  Then there is a swishing and scampering across the camper roof as if an assemblage of mice were dancing, probably the wind scattering leaves.  The gusts get stronger and other than the sound of wind the night becomes silent.  First light comes late and seems subdued but we are in a high mountain valley surrounded by higher peaks, the sun always seems overdue.  A look outside is at first a shock and then the giddy realization, snow!  Just a few inches, 3 or 4 but enough to transform the fall beauty we came to photograph into something more magical.   There is an adage that tells us that bad weather makes for good photography.  Does it?  As in all things it depends on what the subject is and what the photographer is trying to capture.

Fresh new snow decorates an autumn landscape along the Cimarron River in the Uncompahgre Range; wilderness; Uncompahgre National

Fresh new snow decorates an autumn landscape along the Cimarron River in the Uncompahgre Range.

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Spray and Pray

Great Egret [Casmerodius albus]

Great Egret in flight over Panama’s Pacific Coast

What is it with some photographers?  Just because a camera is capable of X number of frames per second does that mean it should always be fired at that rate?  Here is what I’m really wondering about… (more…)


Listen to Nature

Living in the city one loses most sense of nature but after living for many years in the rural foothills of Colorado which most people call the boonies, in a landscape of pinyon juniper forests, undeveloped wild lands and mountains all around, my senses have been intensified.  Its easier to see, to smell and  touch. Its easier to hear, easier to listen.

Rock Squirrel

With pine sap & dirt-caked mouth, Rock Squirrel [Spermophilus variegatus] pauses to listen while eating a green pinyon pine cone.

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Closer still

Macro photography adds a wonderful dimension that allows us to see beyond the norm, no matter what your interests may be, natural or man made.  And you don’t have to spend a lot of time traveling, backyards offer a huge number of potential subjects.  Don’t have a yard, head to a nearby park.  Let’s see what we need to have some fun with this.

Now you need to have a SLR(single lens reflex camera), film or digital because there are a  few lens options you might want to explore.  Having said that, a “normal” (not macro, which just has built in extension to focus close) lens can work for many macro applications.  Starting with the simplest and generally least expensive way to get a closer view is to use screw- on lenses usually called diopters.  They come in increasing magnifications, listed as +1,+2, +3, etc.  These can be stacked for additional magnification, start with the strongest next to the lens, add the next strongest and so on.  Easy to use but with a very real caution, adding another layer of glass to even a good lens can degrade the resulting image.  The best of the diopter add- ons are two-element lenses and are corrected to give better edge to edge sharpness and will give better results than the less expensive single element lenses.  Nikon no longer makes their iteration of these but they are still available on line.  Canon still manufactures a two-element supplementary lens.

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